The wedding photographer/videographer, planner and stylist are right up there on that MVP list alongside your emotional support bridesmaid/groomsman and bottle of tequila. This is the insider crew that makes or breaks your wedding today. Read on for the dos, the don’ts and everything in between from India’s leading wedding insiders...
Remember the recently viral Rashmika Mandanna and Vijay Devarakonda internet-breaking, godlike aesthetic captured in perfectly ethereal sunlight, or that singular image of the all-ivory Alia Bhatt and Ranbir Kapoor trapped in the most intimate yet made-for-camera love gaze, or the candid, joyous glamour of Sobhita Dhulipala being drenched in flowers at her haldi. Obviously yes, coz it’s pinned on almost every wedding vision board in current existence. Meet Siddharth Sharma, founder and director of House On The Clouds and maker of some of India's most memorable wedding moments. Here’s the how and why behind making that perfect bridal shot.

Your signature aesthetic: “It's somewhere between two approaches. One is rooted in quiet observation, capturing moments as they naturally unfold. The other allows for interpretation and expression when the moment calls for it. We’re constantly moving between these two worlds, responding to what feels right for each wedding, while always keeping emotion at the centre of it all.”
Rashmika and Vijay’s wedding USP: “Every wedding carries its own soul and emotional rhythm; what truly stood out here was the sense of ease and intimacy. It felt deeply personal and incredibly present, and that naturally shaped the way we experienced and documented it.”
That viral Shiv-Parvati coded shot: “There wasn’t a conscious attempt to create something like that; it was a moment that came together organically. The light, the setting, and their presence aligned in a way that felt instinctive rather than constructed. Often, certain frames take on a larger meaning in hindsight. In the moment, the focus is simply on being present and attentive, allowing things to unfold naturally rather than trying to anticipate a ‘perfect’ shot.”













