Umrao Jaan recently took on a new life in all its 4K glory, and so did the anarkali. Rekha turned heads in a white-and-gold Manish Malhotra ensemble, complete with intricate jewellery and that signature ada. Honestly, not much has changed since 1981, she still walks in and everything else fades to background score. We had Janhvi Kapoor making a case for timeless tradition in an archival chikankari anarkali from House of Kotwara. And Ananya Panday gave the silhouette its most wearable wedding guest moment. In a white Rohit Bal anarkali with bold pink-and-gold jhumkas, a bare neck, and a red rose tucked neatly in her hair, she revived Rekha’s Umrao aura, with a Gen-Z twist.
It’s proof you only need one great piece of jewellery to pull a look together, if a simple outfit is as elegant as hers. If you’re not the bride, you still deserve a feel-good fit. And these anarkalis have no bad angles and are as photogenic from that first mirror-selfie to that awkward moment of you stumbling off the dancefloor.
The Rekha way
The ivory anarkali is obviously the blueprint. You can never go wrong with it. Some gold accents and embroidery is what makes it festive, and any gold jewellery just seamlessly fits in. We’ve got the traditional ones, heavily embroidered with dupattas that seal the look. And then there’s the funner versions: maybe a deep V-neck, or a low back. Mirror work on an anarkali is always a hit. The best part about wearing a white anarkali is that it gives you a full canvas to do your makeup, jewellery, and hair exactly how you want, no restrictions. A red rose or a gajra tucked in is always a classic. And when in doubt, go a little heavy on the earrings, with a bare neck.