The appeal of celebrity documentaries often hinges on the behind-the-scenes glimpses it offers into the lives of well-known figures, going beyond their familiar public persona to reveal the complexities of their human experience. Last year, Netflix’s mini-series Beckham (2023) gave audiences a ringside seat to witness unseen spaces and moments with football and pop culture royalty David and Victoria Beckham (so much so, that the ‘Be honest’ moment achieved viral status).
In Federer: Twelve Final Days, which drops on Prime Video today, director Asif Kapadia captures Roger Federer, the immensely likeable Swiss tennis star, through interviews with his wife, Mirka, his parents, and the two sets of twins on camera, as well as his friend and greatest rival, Rafael Nadal.
As the title suggests, Kapadia set out to capture the last 12 days of Federer’s playing career, offering a window into the sporting legend’s life, including his decision to retire from tennis and the day he played his last professional match, on September 23, 2022. That doubles match at the Laver Cup in London, which he and his partner Nadal lost, was a worthy send-off to mark the end of a remarkable career that spanned more than two decades. During that time, he had been the world’s number one ranked player several times, took home 20 Grand Slam singles titles and broke several records.
There are tears, of course. There is a little bit of tennis. There is some camaraderie, some rivalry. A few glimpses of that balletic serve, the glided movements and the one-handed backhand—a rare skill that is, by popular accounts, heading towards extinction. But Twelve Final Days is not really about sports or greatness. It’s a love story between Federer and tennis, between Federer and his fans. This is not typical Asif Kapadia territory. The director, better known for Senna (Ayrton, the F1 driver), Amy (Winehouse, the musician) and Diego Maradona (the footballer), is usually digging deep, unspooling reams of archival footage for his gritty biopics. With Twelve Final Days, he and co-director Joe Sabia deliver a feel-good, bittersweet film, a soothing balm for those still hurting from Federer’s exit from the sport arena, the proverbial final wave after the goodbyes. Beyond retirement, camaraderie, and sportsmanship, says Kapadia, the film is “like a love story ending. It’s Roger’s love for the sport and for his fans. That’s going to change when you’re not playing.”