Food21 Feb 20255 MIN

A vinyl room, a Yakult cocktail, and some 50 types of dim sum

At The Dimsum Room in Mumbai, your interest is sparked by the grand hero of Asian small snacks but held by the state-of-the-art listening room

Dimsum Room The Nod Mag

Before it was somewhat unsuccessfully rechristened K Dubash Marg, Rampart Row, Kala Ghoda’s tree-lined street, was so named for the defensive ramparts built in the area during the colonial era. These were torn down in the early 1860s by the city’s then governor, Henry Bartle Frere, to build the area’s characteristic avenues and boulevards. And so, even as it has gently changed over the decades, K Dubash Marg retains that sense of timelessness and old-Bombay romance. It’s the sort of city street where one could spend a full day, eating, shopping or simply gawking. 

Indeed, Wayside Inn has vanished, Chetana persists, and the building known as 30 K Dubash Marg has almost never been referred to by its number but by the F&B brands that have occupied the 100-year-old structure over the years. A couple of decades ago, it was known as the Joss Building, before Irish House became its primary landmark. Now, stacked one over the other, via its grand curving wooden staircase, are 1441 Pizzeria, HyLo, and most recently The Dimsum Room (TDR).

Indeed, some of TDR’s magic is in its location and in the way the expanse has been used, both of which are vital elements in a restaurant’s success, something founder Mayank Bhatt would understand better than most restaurateurs in our high-rent megalopolis. A newly minted entrepreneur, Bhatt has built his company All In Hospitality after being in the business for 18 years, as the business head of Social, the CEO of Impresario Entertainment and Hospitality, and the head of operations at the erstwhile Blue Frog. HyLo, which opened late December, was his first venture, followed shortly after by this dum sum eatery. 

We first visited TDR before its opening, during the Kala Ghoda Arts Festival earlier this month. We strolled past a stall by HyLo set up just ahead of the canopied pavement walkway to the entrance of 30 K Dubash Marg. By virtue of being on the top floor of this heritage building, TDR offers many spaces to dine and play.

On that evening, we made our way past an open-to-sky terrace, with its banquettes overlooking treetops and domes, into a speakeasy-style bar with rich teal walls, a tinkling chandelier strung from the wooden rafters over the drinks counter. In this made-for-a-date room we sampled highlights from beverage head Razz’s (Razvan Zamfirescu of Goa’s popular Darling’s Bar fame in Chapora) menu of libations, like the Pandanquiri with rum, koji pandan and yuzu juice; the cocoa butter fat-washed Choc-Chai with Wild Turkey, oolong, and cherry liqueur; the lychee-laced house martini; and the Jade with vodka, cantaloupe, matcha, and lime made even more more-ish with Yakult. If you couldn’t tell already, a ribbon of East Asian flavours runs through the drinks menu—others feature sesame oil, sake, tamari, perilla, and plum liqueur—and yet, the beverages are broad-ranging, with a tipple for every mood and palate. 

Drinks in hand, descending a few steps off the side of the room, we ambled over to a room with a grey pitched roof where soundchecks were in progress. Cohen’s ‘Hallelujah’ was playing on vinyl, and every crackle of his baritone was plugged into enormous speakers with exposed 12- and 5-inch drivers. If an old and overplayed earworm sounds newer and more nuanced, and makes you stop talking and moving so you can pay attention to a tune, you know you’re in a room that is designed for listening. And so, while our first visit to TDR was utterly delightful, it’s this room that drew us into our second visit. 

Of course, this spot is called The Listening Room. Built by Munro Acoustics, its custom-designed sound system is inspired by the active four-way mix room system at Abbey Road Studios, also developed by Munro. The rest of the room’s geometry and materials—from the fibrous acoustic cladding on the roof, to the seating along the walls built as hollow pods—are all moulded to make sure that it is acoustically magnificent. When we asked Bhatt about its construction, he spoke about things like “the Helmholtz principle” and “high-density LMFoam for precise acoustic balance”, but the part that we best related to was: “I could really amp up the volume, and you’d still be able to have a conversation without raising your voice.” 

The Listening Room.jpg
The Listening Room features a 36-seater dining space for vinyl lovers

And so it’s here that we continued our exploration of head chef Malvika Pratap’s vast dim sum offerings, from our first ever vegetarian xiao long bao (a soup-filled dumpling), its tofu stuffing tingly with spice, its broth bound together with agar agar instead of collagen-rich stock, as well as mochi-like chewy ham sui gok, silky chicken and ginger crystal dumplings, the fluffy and slightly sweet pork fried buns known as sheng jian bao, and shrimp and chilli crab potstickers, their lacy skirt almost too pretty to snap off. There is a condiment caddy on the table with dips, pills and sauces that are so competently composed, it would be a shame to ignore it. Even so, it’s early days still, so we can’t say TDR will meet our annual craving for the fare at Din Tai Fung. Reviews from friends who have visited since have been mixed—but we’ve identified a few things that we’ll get on repeat. 

While we only had enough weeknight belly real estate to test out some dim sum and a couple of their lovely tea-meets-muddled fruit zero-proof drinks (the oolong with pineapple is a dream), Pratap’s menu also progresses into more hearty soups, main plates, and rice and noodles, if you are one of those who believe that dim sum can’t replace main course. For Bhatt, TDR is a tribute to the communal tea rooms of Hong Kong, set firmly in Kala Ghoda. “TDR started with a simple idea: to create a space where food and music come together in a way that feels effortless, yet deeply immersive,” he says. “Every detail has been shaped by moments of inspiration—late-night conversations, the nostalgia of a great meal, the magic of an old record spinning in the background.” 

And there’s more to come in The Listening Room. Soon it’ll host music events like album and EP launches, listening sessions, artist showcases with visiting DJs, and “exclusive curated music nights”. In the far corner across the speakers, by the entrance of a room that’s so solidly built for good sound, barely a decibel of which leaks beyond the doors, is an imminent micro bar. Here, by glowing shelves loaded with vintage and antique pieces that Bhatt has collected from Chor Bazaar—crystal decanters, an oval dressing table mirror on a stand, a galloping black horse—will be a place to pick up something cold and refreshing, to linger, and to settle in for a few hours of listening, and talking. 

Meal for two: Rs 5,000 (with alcohol)

Timings: 7pm to 1am

Address: 3rd Floor, Building 30, K Dubash Marg, Kala Ghoda, Fort, Mumbai  400001

For reservations, call: +91 98677 11017

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