Arts09 Sep 20243 MIN

Make your own Madras checks at this Chennai exhibition

‘Lineage: Past Forward’—with a little help from AI—aims to trace the history of the centuries-old weave and take it into the future

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Lineage: Past Forward allows anyone to create their own Madras check pattern using an AI-based pattern generator

Driving down East Coast Road out of Chennai, you tend to get constant reminders of the subject of the exhibition, Lineage: Past Forward, that awaits you at DakshinaChitra, at the other end of your GPS. There’s the blue-checked lungi worn by a man ferrying a 20-litre water can on the back of his moped. Another man, 30-something years old, saunters across the road, palm facing you in the jaywalker’s blessing, the familiar checked cloth folded back into itself at the knees and crossing the road with him. 

The Madras check—or injiri, or real madras handkerchief—has a circuitous history that began in Madras (now Chennai) in the 1400s. With the East India Company recognising its trade potential in the 19th century and incentivising production for export, the Madras check soon left the shores of Madras. Its warp and weft wove through Europe, Africa, North America, and the Caribbean. A particularly memorable pitstop on this journey came courtesy Brooks Brothers in 1958, who released a line of clothing for men and women centred around Madras checks and forgot to warn customers about the crucial adjective in another moniker for the fabric—Bleeding Madras.

Lineage: Past Forward is an attempt not only to shed light on the storied history of this check, but also take it into the future. An integral part of it is a generative algorithm that, with AI, allows anyone to create their own Madras check pattern. 

Just visit madras-checks.com and click on the generator tab. Choose the number of colours on your pattern, and the number of horizontal and vertical lines. Their thickness and how close each line should be? Now choose the level of randomness that you want to introduce to your creation, (Unpredictability and minor variations within the checks were, after all, one of the distinguishing features of Madras checks.) et voila! you have your own unique pattern. Additionally, the designs you create will become part of the project’s digital collection. 

In one section of DakshinaChitra’s Kadambari gallery, Madras check squares made using the algorithm occupy an entire wall, while across from them, on a jamakkalam-covered table, a mechanical arm draws the patterns. On another wall, the framed patterns demonstrate what happens when you interfere with the grids and break them up. “With this project, we have documented the Madras check, the craft of how it’s done, and then put it into a generative art algorithm that we developed,” says Karthik Prema Rajakumar of the Thinai Foundation, one of the key organisations behind this exhibit. “So, this doesn’t eliminate the designer; rather, it’s a tool for a designer to do much larger works as well...With this algorithm, we’ve tried to follow the grids, and we’ve also tried to break them. What we’ve explored are the possibilities within the grids.”

The exhibition is a collaboration between the Thinai Foundation and New Haven-based UX/UI designer Vignesh Hari Krishnan. Providing crucial support are the Yale Center for Collaborative Arts and Media and the Tsai Center for Innovative Thinking at Yale. DakshinaChitra, which is hosting the Chennai leg of this exhibition, has also opened up its archives—dating back to the 1900s—for this purpose. On the website, 32 archival patterns are on display, and the organisers hope to hit 100 before the close of the Chennai exhibition on September 15. This is a six-month-long project and will culminate in an exhibition at Yale and the launch of the open-source website that could be a resource for anyone interested in Madras checks. 

A crucial element of the story of Madras checks is that they are not a GI-tagged craft—the fabric doesn’t need to be made in Madras to be called Madras checks. In fact, anyone can manufacture it. Traditionally woven on the handloom, the making of the pattern has shifted to powerlooms today, and even most of the handloom weaving happens not in Chennai (or Tamil Nadu) but in neighbouring Andhra Pradesh. “I am hoping to do R&D and evolve the craft for the future,” says Rajakumar.  “Hopefully this [exhibition] acts as a time capsule that carries memories into the future.”

Lineage: Past Forward is on at Kadambari Gallery in DakshinaChitra, Chennai, until September 15. For more information visit madras-checks.com