What’s common to a pinstripe vintage Jean Paul Gaultier suit, a white train T-shirt by Phoebe Philo, an Ulla Johnson jumpsuit, a pair of Prada Mohawk pumps, an Aritzia blazer, and a pair of Golden Goose boots? The company they’re keeping, of course. That’s Andy Sachs yes, but also one rather staid vintage Coach Metropolitan briefcase. A sturdy, dependable carry-all for sturdy, dependable Andy.
I acknowledge the fact that the paps are ruining movies for us, especially those where the visual element—fashion—forms the most crucial aspect of a film. Case in point: The Devil Wears Prada 2. But a vintage Coach turning into the omnipresent accessory of the film feels like a monumental decision, one worth discussing.
For long, the American brand has sat on the cusp of luxury; it was the brand you turned to when you wanted the quality of a luxury leather bag from the Italian heavyweights but found their price tags prohibitive.
The past year, however, has coated Coach with a sheen of desirability that’s been hard to ignore. It started around mid-2024, when Bella Hadid started carrying a hobo-shaped black leather tote everywhere. The Brooklyn 39 skyrocketed in popularity and, thanks to stans on TikTok and Instagram, was everywhere you look—online and IRL. That a “practical” bag whose aesthetic eschewed all the tropes of Insta bait (hello, Jacquemus too-hot-for-a-lippie Chiquito) would spark a wave of unboxing videos and bag-charm tutorials finally seemed like an acknowledgement that, maybe—just maybe—we’re getting smarter in our embracing of what luxury brands throw at us. Expensive is not always better, and with luxury handbag prices rising to ridiculous heights, owning a Coach bag comes with a side of smugness. (There’s a Brooklyn 39 sitting on my desk right now, expressing silent agreement.)