A New York minute with Kartik Kumra

The designer behind Kartik Research, the clothing label loved by the likes of Paul Mescal and Lewis Hamilton, on his new Manhattan store and local haunts

Kartik Kumra at his store in New York

In 2022, Kartik Research had its first New York City pop-up at Colbo, a Lower East Side menswear boutique that boasts a loyal following of downtown style-scene staples. A short three years later, Kartik Kumra, the brand’s 25-year-old founder, stands around the corner from that first pop-up, at the door of his first Manhattan store, visibly exhausted but also proud.

Given that the brand began as an experiment born in Kumra’s college dorm room in 2021, the significance of signing a five-year lease on his first retail space in one of the world’s most expensive cities cannot be overstated. The label has garnered the kind of underground buzzy-cool word-of-mouth that many have tried and failed to manufacture, quickly becoming a favourite of in-the-know fashion connoisseurs from Paris to Brooklyn. Think ‘Fauji’ pants with hand embroidery at the knees, a silk overshirt hand-embroidered in Lucknow but with an unexpected lambskin collar, and wool shirts made of handwoven wool from Kinnaur that become the canvas for zardozi embroidery.

Despite Kumra’s scholarly approach to design—he is known to spend months diving deep into archival techniques while developing the concepts for each collection—his garments have quickly found mainstream appeal. NBA star Stephen Curry, F1 great Lewis Hamilton, and actors Damson Idris and Paul Mescal have all been photographed wearing the label’s designs. And yet, the launch party at his Orchard Street location was less a star-studded PR-driven photocall than it was a mix of like-minded creatives—a departure from the norm at a time when follower counts and red-carpet optics reign supreme.

Kartik Research store in New York City
Inside the New York City boutique

Consider the space itself: clean, contemplative, and bordering on monastic, with textured concrete floors crowned by a linen canopy, and a rail of garments lining one edge of the room. Given Kumra’s commitment to treating textile as language and garments as an archive of craft, it feels wholly appropriate that the space leans more art gallery than contemporary clothing store.

While we were chatting, a fascinated customer asked tentatively whether she was “allowed to sit on” a dramatic straw bench steps from the entrance. The bench—like many other pieces dotted around the store—is custom-designed in collaboration with Mumbai-based furniture studio Æquo, and the answer to the question was an emphatic “yes, of course”. Between attending to a steady stream of customers, Kumra discussed the significance of this new store, what he does to unwind in New York, and his upcoming runway show in Paris this summer. Excerpts from the conversation:

What did you do yesterday?

We spent yesterday preparing for the launch today—we didn’t have a sign until the day before, we didn’t have a fitting room. It was basically all of the stuff that goes into putting something like this together.

How does it feel to have your first New York store?

It feels great; it’s been something that I’ve wanted to do for a really long time. We were just waiting for the business to be in a position where we could take on something like this. A New York store is a very different retail beast—you need to have your supply chain sorted, your team sorted—you can’t just wing it. [At] the Delhi store, there was space to improvise and figure things out. This one feels much more high stakes.

Given these high stakes, what was it like to walk into the space this morning?

Last night we had a little launch party for friends of the brand. It was fun, we had a great evening. Today it all feels like it’s real and happening.

When it comes to the design of this New York store, how do you want people to feel when they walk into the space?

One of the things we focused on throughout all aspects of the brand is trying to change the notion of what is conventionally considered Indian. From reinterpreting craft in a contemporary way, to looking at Indian modernist architects like Bijoy Jain and BV Doshi. I person I worked with on this is Armaan Bansal—we’ve been friends for a few years and have done small projects here and there. But this felt like a good opportunity to meld each other’s sensibilities, and he knew what I was looking for. So, it was a combination of all of those influences—we wanted it to be contemporary, modern, fit in New York but still stay true to our heritage.

Where do you shop in New York?

I like Colbo and Ven.Space. For vintage, I like 194 Local, and C’H’C’M always has cool stuff.

What’s on your must-do list for New York?

I went to this restaurant called Kanyakumari the other day. It was really good. I usually just hang out in Green Point in Brooklyn.

If you could take one aspect of life in New York back with you to Delhi, what would that be?

I think there’s a really interesting creative community of people here that are my age and hustling, just trying to do something cool. It’s not a manufacturing, factory-backed thing like it is in Delhi a lot of the time. It feels like people are a bit more patient, it’s a bit more organic.

What does tomorrow look like—both literally and figuratively?

I think this weekend is going to be very busy for us, in terms of foot traffic and people who are enthusiastic about the brand. I’ll be here, interacting with customers. Also, I’ve been trying to play pickup football at the end of the day just to get my mind off everything.

Zooming out, we’ll do a show in Paris this summer and then maybe I’ll take a week off. We’ll see how this store does—it may define what the year or the next two years looks like.

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