Entertainment10 Mar 20255 MIN

What went down at Lollapalooza India 2025?

Guitars were given, namastes said, 10K steps walked, and the dozen ways in which the two-day festival ticked all the boxes

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Going by social media, the third edition of the BookMyShow-promoted and produced Lollapalooza India in Mumbai was, according to its Gen Z, Gen X and millennial audience, all about Shawn Mendes or Green Day (for the latter two). While those diagonally opposite acts created some core memories for their fans, there were other artists and bands who defined Lolla 2025 for their faithful followers.

Louies barged to the stage where former One Directioner Louis Tomlinson was performing as soon as the gates opened and seemed to have notably outnumbered those who had planted themselves against the barricades for Green Day. For most musicians, meanwhile, the star of the festival was guitar virtuoso Cory Wong, who was the recipient of several birthday greetings on Saturday.

That there was something for almost every kind of music lover is the marker of a great festival. And going by the performers on the lineup, the programmers have clearly figured out what the public want. (Metal heads are advised to go to the rock-focused Bandland in Bengaluru.) Three years in, however, a few patterns have emerged—and though they’re not restricted to Lollapalooza alone, you’re most likely to spot them there. We’ve rounded up some of them below:

If it’s Lolla, the international acts will do one or more of the following things

There are certain things most international acts are guaranteed to do during their sets.

a) They will speak a smattering of Hindi—Nothing But Thieves singer Conor Mason said “namaste”, Shawn Mendes and Aurora expressed their gratitude with “dhanyawad”.

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Shawn Mendes, one of the headliners, ended the show with a “dhanyawad”

b) They will promise to come back—like Glass Animals frontman, vocalist and multi-instrumentalist Dave Bayley did.

c) If they’re an electronic music act, they will throw in a crowd-pleasing Bollywood or Indian regional language track, like Zedd did when he mixed in the Panjabi MC classic “Mundian To Bach Ke”.

d) They will invite an audience member to guest with them—like Green Day did when they asked a girl named Sia to join them to sing ‘Know Your Enemy’ and a guy named Ishaan to play the guitar on ‘Dilemma’. Billie Joe Armstrong even gifted the Axe to his crowd-sourced guest. 

Another recent addition to this list includes getting a sitar player to add some Indian classical flair to a well-known tune. Last year, Keane roped in Anoushka Shankar for ‘Everybody’s Changing’, and this year Mendes got sitarist Megha Rawoot (who coincidentally also gave Ed Sheeran a quick lesson in February) and tabla player Shrutisheel Uddhav on board for ‘Youth’.

At Lolla 2025, we got a new one: thanking India for helping make a song go viral. Both Glass Animals and Aurora said our country is “where it all began” for their breakthrough hits ‘Heat Waves’ and ‘Runaway’. Given the thousands who flocked to their slots and knew the words to most of their other tracks, it’s clear that, despite what the charts might say, neither of them is a One-Hit Wonder.

If it’s Lolla, then there will be walking, and sweating!

As any Lolla attendee would tell you, the festival, which is spread across four stages—each with a capacity to hold thousands—involves a lot of walking. It’s the one time of the year even the laziest of us will cross the 10,000-steps-per-day mark. When you’re walking to catch an afternoon set, it also involves a lot of sweating. Thanks to the ironically-named-in-this-case Coldplay, whose India tour clashed with the usual dates for the festival, Lolla 2025 was shifted to March, on a weekend for which there was a heat wave warning (this was some next-level trolling by the weather gods given that the chance to hear Glass Animals’ ‘Heat Waves’ live was one of the most anticipated moments). BookMyShow offered special ‘comfort’ tickets at a slightly higher price, but these only got you access to a shaded zone without a line of sight to the stage, something you could get for free in one of the covered areas near the food stalls. This year, they also had the housekeeping staff occasionally spray the audience with what was supposed to be a cooling mist but was more like a water sprinkler. As always, the crowd got inventive. Those who didn’t manage to score one of the free bandanas being handed out, or a free hand fan from the bar, repurposed hand towels and bedsheets as head and face protection. Not surprisingly, after the official festival T-shirt, the second best-selling item at the merch counter was the official festival bucket hat. And it would be accurate to say that we spied more battery-operated miniature fans than flower crowns this time. Also , thousand points for the commitment to all the Green Day fans who wore black shirts in that heat. Lollapalooza is, quite literally, not for the faint-hearted!

If it’s Lolla, there will be special guests

Another highlight of music festivals such as Lolla are the guests that turn up to render live versions of their studio collaborations. DIVINE popped around for Jonita Gandhi’s ‘Sitara’, Hanita Bhambri for Raghav Meattle’s ‘Woh Saat Din’, and Yashraj for Hanumankind’s  ‘Enemies’, which they recorded with KSHMR. And while Sudan’s concerts are always filled with appearances by the singers on his releases—like Anoushka Maskey and Frizzell D’Souza, who charmed with her own Saturday slot—he conjured one of the sweetest moments of the festival when he got his dad to play tabla for ‘Can You?’. One of the most talked about bits from day one was Zedd’s jugalbandi with Cory Wong, for which the EDM star left the console to pleasantly surprise us with his drumming skills.

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Hanumankind brought Yashraj on stage for  ‘Enemies’

If it’s Lolla, there will be saxophones and trumpets too

When playing a festival, most acts try to make the most of the opportunity by bringing together an ensemble of musicians befitting the vastness of the stage. And one of the fail-proof ways to do this is adding a saxophonist to their standard configuration. This year, we spotted sax players at sets by singer/songwriter Dot. (Gautam David), rock band Green Park (Rishabh Puri) and electro-jazz musician and sax-man-himself Sid Vashi (Rhys D’Souza). Going a step further with whole horn sections were the mohawk-sporting, genre-jumping rapper Dhanji, whose look seemed inspired by The Matrix, and electronic music producer/singer Sudan, who is fast becoming many indie music fans’ favourite new artist. The horn section that deserves a special shout-out was that of Cory Wong. They, along with the rest of his band, helped him deliver one of the tightest performances of the festival.

If it’s Lolla, there will be some boxes to check with the bill

While we can’t say the line-up is predictable, every year Lolla seems to check certain boxes with its programming. The two main headliners are divided between acts that are dearly beloved by Gen-Z (Imagine Dragons, Jonas Brothers, Shawn Mendes) and millennials and Gen-Xers (The Strokes, Sting, Green Day); a hard rock band that will present a full wall of sound (Greta Van Fleet, Royal Blood, Nothing But Thieves); and at least one K-Pop idol and/or group (Jackson Wang, Eric Nam, The Rose, Wave To Earth). We’re not complaining.

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With a power-packed 105-minute performance, Green Day was a fitting headliner for the festival

But what has sadly remained consistent is the lack of female headliners, who have totalled just one (Halsey in 2024) out of 24 (across the four stages over three years). This year, this was more noticeable because it was held on the International Women’s Day weekend, a fact that was only acknowledged by Aurora.

On the other hand, while not a single artist made any explicit political statements, they did make them through their songs. Raghav Meattle opened with the scathing ‘One Sided Stories’, rocker Raman Negi closed with the sardonic ‘Maqbool’, and a vast majority of Green Day’s output is about the decaying state of society in the US, much of which is equally applicable to India. As Gen-Xers who had just entered high school when they put out Dookie, Green Day’s career-spanning, power-packed 105-minute performance made Lolla 2025 one for the ages.

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