If you’ve picked up a romance novel lately and thought, “Wow, they’re really not wasting any time,” you’re not alone. The genre has undergone a glow-up and, in the process, it seems to have gotten significantly steamier. In Emily Henry’s latest novel, Great Big Beautiful Life, the main characters are kissing by the 20 per cent mark and making out well before the halfway point. Nearly a fifth of the book is dedicated to smut scenes that would make early-2000s Bridget Jones drop her wine glass. Once upon a time, mainstream romance novels were about flirty glances, awkward encounters, and maybe...or maybe not...a single, well-earned kiss by the end.
Today’s love stories? They’re all one-bed tropes, unresolved sexual tension, and high-voltage make-out sessions before the third-act twist. Back in the day, chick-lit royalty Meg Cabot and Sophie Kinsella gave us charming chaos, endearing inner monologues, and leading men who were more Mr Darcy than Magic Mike. The sex was implied, hinted at, or skipped. Now, writers like Emily Henry and Ali Hazelwood are leading the charge in rewriting the genre with a very active libido along the way. It’s steamier, smuttier, and way less interested in playing hard to get.
In the early noughties, things were more clearly defined—EL James was your go-to for erotic escapades, while Emily Griffin held down the emotional drama and heartbreak. Now, the lines are deliciously blurry. Today’s mainstream romances often blur chick lit with straight-up erotica, and readers are relying on community reviews to figure out what level of spice they’re signing up for. In fact, Reddit now has bots (yes, bots) dedicated to this exact mission. The Romance Bot, for instance, pulls data from romance.io and gives you a neat little summary: average reader rating, steam level, content tags, and links to the book’s cover, plot, and author info. It’s like a TripAdvisor for your next fictional fling.
So, why has mainstream romance taken this steamy, sex-positive turn? For one, readers, especially women, are more sexually emancipated than ever before. Nona Uppal, author of Fool Me Twice, believes this shift is long overdue. “The desire for sex in storytelling has always existed,” she says. “What’s changed is that a certain class of women has now been emancipated just enough to write about these things without feeling compromised. The need has always been there, and now it’s finally being met.”
The second factor is a growing disillusionment with traditional, male-centric portrayals of sex, particularly in pornography. With the rise of female-directed porn and a growing appetite for sex scenes written by women for women, romance novels have become an accessible, emotionally intelligent alternative to visualise smut. “I actually think a lot of these books talk about sex in ways that are far better than what we see in porn,” Uppal adds. “It’s one of the most awkward things to write about, and the fact that people can do it beautifully is amazing.”
It would be criminal not to blame credit the online book community for the current wave of steamy bestsellers flooding the book shelves. Whether it’s BookTok or its siblings BookTube and Bookstagram, reading has never looked this hot or this cool. Authors like Tessa Bailey, Lauren Asher, and Emily Henry have built cult followings thanks to viral recommendations, fan art, annotated pages, and dedicated fan clubs. Entire subcultures like #Smuttok and #SpicyReads thrive on coded language to skirt censorship while openly celebrating books that are emotionally rich and sexually satisfying. These online spaces have done more than just sell romance fiction. They’ve normalised desire, created safe spaces for readers to explore their interests, and helped women rewrite or reframe their own experiences with sex and romance.