Remember when a game of carrom could get an entire family involved, with uncles taking their shots a little too seriously, cousins arguing over whose turn it was, and someone being accused of pocketing the queen before they were supposed to? At Shed, a multidisciplinary design studio in Surat, Gujarat, the humble carrom board has received quite the makeover. Featuring intricate marble inlay, hand-finished wooden frames, and elaborate illustrations, these boards look as though they belong in a collector’s home, although they are very much meant to be played with.
Today, between film cameras, vinyl records, and handwritten letters, there is a renewed appreciation for things that don’t require a charger or Wi-Fi connection. Shed, however, has been exploring the pleasures of making, playing, and living with objects long before the analogue revival became a talking point. Founded by Priyanka Shah in 2014, the studio began in the basement of her family’s factory and has since grown into a design practice spanning furniture, homeware, accessories, games, and toys.
Shah’s relationship with games goes back to her childhood. A former national-level chess player, she grew up in a home surrounded by traditional Indian games, including Navakankari and Kutchi Chaupar, which continue to inform SHED’s work today. The 34-year-old has also always enjoyed collecting toys and games wherever she travels. However, the idea of bringing play into design took shape around 2015, when Shah was working on an architectural proposal for a school playground in Surat. “Although the project was never built, it was then that I actually stumbled upon all these Indian board games, and I was fascinated by them. We proposed embedding those board games into the floor itself so kids could collect stones, rocks, and pebbles and start playing without really thinking about it. That idea has really stayed with me since,” she explains.











