Here’s a confession: I am a 25-year-old who does not know how to tie a tie. There, I said it.
I grew up in a joint family where both my father and uncle held corporate jobs, but not once in their lives did I see them don a tie. To make matters worse, much to my mother’s abundant chagrin, I attended a school that also did not require us to wear ties as part of our uniform. Yet, since my adolescent years, I have been endlessly fascinated by the 58-inch piece of stitched fabric. The way it sat like a snake around the neck of men like Richard Gere or Robert Redford—barely revealing itself from underneath the stiff fabric of the collar—before falling into a carefully calibrated cascade of colours, prints, widths, and textures, each quality only the slightest nod to the personality of the wearer.
Today, Gen Z enters the workforce and pulls up to office desks with Stanley Cups and Labubus hanging from their tote bag. To them, and other fashionable employees, the tie is a serious accessory and an extension of one’s personal style. “In 2026, the tie is no longer a symbol of conformity or corporate lifestyle,” explains stylist Divyak D’Souza, who has styled men like Farhan Akhtar and Hrithik Roshan. “You can choose to wear it to the boardroom but also afterwards, as a scarf, to the bar with a casual cardigan. The tie is finally free from the shackles of a formal style statement.” Case in point? The recently concluded spate of spring/summer ’27 menswear shows where brands went all out when it comes to pushing the boundaries of what is possible with the accessory.

The Saint Laurent front row featured everyone from Heated Rivalry breakout star Connor Storrie to Oscar winner Rami Malek sporting ties that were cheekily tucked inside their shirts. Elsewhere, at Boloria, creative director Olivier Theyskens accessorised his looks with a series of long, dagger-sharp ties that peeked out from underneath the hem of a cardigan or hung loose below the belt buckle. “Ferragamo ended up folding and irreverently stuffing shirt pockets with their ties, while Ralph Lauren and Louis Vuitton went the more traditional route. But throughout it all, mid-width ties seemed to be all the rage. Nothing super skinny or super thick,” observes D’Souza.
The tie parade continues—from the printed trompe l’oeil ties at Acne Studios to the tone-on-tone neckwear at Ami Paris, or, my personal favourite, the paisley-covered ties at Celine that looked like they were block-printed in India.












