There’s a certain largeness to the city of pearls—living life king size is instilled in everything from cafes to restaurants to bars. As I climb up a short flight of stairs of what looks like an old building (but is, in fact, new) on a traffic-logged main road, a slanted rooftop twinkling with lights, balconies softly lit, and an amber glow rising from within, reveals a backlit sign: Lili. Named after Li, a common Chinese surname, this is the newest entrant to Hyderabad’s nightlife scene.
I scurry past a wall lined with LED pillar candles and into a 45-seater room that has a lively, boisterous energy. The bar sits beneath a humongous light installation, its movement and energy echoing in the hands of the mixologist pushing through a round of libations.
I get the sense that I’ve seen this before—the reds juxtaposed with chaotic layering, and torso-less bizarre heads leaning close to Surrealism. The fleeting sense of recognition soon settles into the unmistakable stamp of Siddharth Kerkar, the Goa-based artist, who put a kinetic hands installation as the centrepiece of Assagao speakeasy, Drop Dead Sexy. His striking work can also be found at Soka (Bengaluru), later echoed through recurring signatures like the rotating heads at Dali & Gala.
I mention the similarities these spaces evoke, in passing to the founders, Abhilasha Oruganti and Naveen Krishna, both warm and clearly invested, who, along with Navyatha Reddy, brought this Hyderabad space together. “It’s not about pushing him into something new but about holding that boldness and balancing it,” says Oruganti about working with Kerkar. The idea was always to let the art do the heavy lifting while keeping a minimalistic base so it works just as easily for a quick lunch as it does for a slower night.














