Fashion01 Oct 20254 MIN

In this Delhi mall, handicrafts from Bihar, Kutch, Nagaland, and Jharkhand converge

Everything you’d find in a crafts bazaar, but within the environs of a luxury mall—Kunj in the national capital is a retail space unlike any other

The 100 Sarees Project by Ankon Mitra at The Kunj

The 100 Sarees Project by Ankon Mitra

Everything in the Jiyo store at The Kunj in New Delhi is eye-catching. Bamboo lamps inspired by Jharkhand’s traditional fish traps glow softly, embroidered Sujani drapes line the walls, trinkets and toys woven from sikki grass line the shelves. Despite the variety on display, the carpet installations inside the store are hard to miss; they’re hand-painted by signboard artists on felt. Rajeev Sethi, curator and founder-chairman of Asian Heritage Foundation, who conceived Jiyo two decades ago, brought the carpets out from his personal collection and will have more made if you ask for it.

Crafts professionals and enthusiasts have long known of Jiyo’s contemporary handlooms and handicrafts. But this is the first time Jiyo has set up shop in a mall. You can visit their outlet at The Kunj, a retail space for Indian crafts by the Office of the Development Commissioner (Handicrafts), which opened its doors in August. Crafts shopping in India usually brings bazaars and exhibitions to mind. In Delhi, especially, the influence of Dilli Haat and Dastkar’s Nature Bazaar—sprawling outdoor spaces that host craftspeople and artisanal labels in a setup resembling a village fair—looms large.

Artisans performing craft demonstrations at The Kunj
Artisans performing craft demonstrations in the atrium

But The Kunj offers something distinct: a luxury mall makeover that wants you to see crafts as cool, not ethnic. For Sethi, a Padma Bhushan awardee who has spent decades working with Indian crafts, the space is not just an of-the-moment retail spot for elevated crafts. It is also the promise of being a showcase of exceptional skills and craft, a “store of excellence that doesn’t have an equivalent in South Asia”.

For customers, however, The Kunj’s real draw is a shopping experience with a difference. Here, you encounter stores and experiences you will simply not find anywhere else. Take Vriksh, for instance, the clothing label by National Award-winning textile designer Gunjan Jain, whose contemporary ikat and tussar silk saris and kimono-style jackets have fans including the likes of Mira Nair and Muzaffar Ali. Or Meghalaya-based designer Iba Mallai’s label, Kiniho, which offers easy, hot-weather-ready dresses in subtle pastel hues. The brand shares space with jewellery brand Runway Nagaland, whose colourful, chunky necklaces and fringe earrings reference traditional Naga ornaments. Next door on the same floor, designers Bhavya Goenka of Iro Iro and Pratyush Kumar of Pieux share another store—two distinct labels with a shared goal of refashioning waste as cool, contemporary styles. The former specialises in pintucked dresses and wearable separates, while the latter’s pop-bright, painterly jackets and modular sneakers definitely made our wishlist.

There are also craft organisations and design labels to choose from. The Shrujan store is known for clothing covered in exquisite embroidery from Kutch, while the Khamir store, whose shelves are filled with kala cotton clothing and textiles, offers something for those with a more pared-back sensibility. For handwoven saris, head to Vimor or get your fill of hand-block prints at Aavaran.

The experience extends to a rolling lineup of artisans putting up craft demonstrations in the atrium; on my last visit, artist Parwati Devi’s Sohrai paintings rapidly made their way into shopping bags as a crowd gathered to watch National Award-winning brass artisan Ikram Husain engrave a vase. A host of exhibitions are underway, too, including Khol Kel, an initiative to revive traditional games and toys. A dokra chess set, anyone? Or perhaps a priceless marble board complete with silver meenakari pieces?

Anjchita Nair, curator of The Kunj and CEO of Cultre, aimed to create a space that challenged the notion of a mall. “We wanted to keep the format but also show a different way of looking at malls: how could we use the design language of brands, products, and materials in the space? The Cultre worked with stores to develop their key motifs into design elements and drenched the walls with colours like indigo and neon yellow. Even with installations, we have made them playful and colourful so people who come here feel a sense of joy.” Thanks to a massive Ankon Mitra sculpture floating across the ceiling and an indoor crafts floral garden flanking the escalators, the space is Instagram-ready, too.

However, while The Kunj has the attention of craft devotees, it feels lacking in other aspects. Case in point: the food court’s hand-painted seats do little to distract from a sparse menu of chaats and puffs (and the one Mahabelly Canteen). Surely, a mall celebrating Indian crafts can also spotlight local cuisines. The Kunj is much smaller than most contemporary supersized malls and needs both variety and a well-rounded retail experience to draw more customers. Can it become Delhi’s go-to hotspot? That will take time and a dose of cutting-edge strategy.

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