The first time I laughed during my interview with Zarna Garg, it was at a classic mother-in-law joke. She didn’t miss a beat. “Aha,” she piped up, pointing at me like she was tagging a future punchline. “You’re laughing. You know it’s true.”
That’s the thing with Garg. She’s watching as much as she’s talking. A walking, talking observational notebook in a signature belt, she doesn’t just deliver jokes. She scans the room, notes your reactions, clocks your discomfort, and mentally assigns it to that saved folder of ‘jokes that worked’. “You’re not just here to listen,” she says. “You’re participating, whether you know it or not.”
The family-friendly comedian owned the internet for trash-talking mothers-in-laws, roasting marriages, and bringing to stage the smug satisfaction of being an Indian mom. If you’re late to the Zarna Garg universe, here’s the recap: The Mumbai-raised, NYC-based Garg started stand-up in her forties after being a stay-at-home mom. Not exactly a midlife plot twist most desi moms are encouraged to try. “I was silenced for so long... Now my voice is how I make my living,” she says of her The Marvelous Mrs Maisel-esque life. In six years, she’s headlined Carolines on Broadway, opened for Tina Fey and Amy Poehler on their Restless Leg tour, and won Kevin Hart’s Lyft Comics.
This year is no different. In April, she released her memoir, This American Woman, which became a New York Times bestseller. In July came her comedy special, Practical People Win, available on JioHotstar. (And in the works is a sitcom with Hart and Mindy Kaling, which she can only tease for now.)
But Practical People Win, her 60-minute stand-up show, is not just a personal flex. It’s a full family production. In the Hulu special, her kids pop in for a closing dance number. Off-screen, they’re even more involved—managing podcast edits, pulling analytics, crunching the engagement stats. Her husband is the money guy. “We are not just doing jokes. We are building a comedy empire,” she tells me. “We’re beating the stereotype by leaning into it.”
Motherhood is her brand, her battlefield, her material. Sometimes extreme, sometimes cringey, her honesty and drily intonation has made her humour not just relatable to her audiences but also quite lucrative for her. “My comedy comes from a place of knowing that pain,” she says. In Practical People Win, Garg recounts how, while she was in Texas opening for Fey and Poehler, her 17-year-old son got punched in the face during a football game in New York and broke his nose. He didn’t tell her until much later, calmly getting himself to the ER “like a seasoned adult and even walking away with a free George Clooney nose upgrade” from the doctor. “I was riddled with guilt,” she says in the special. “Why did I take this job? I should have stayed in New York. I could have prevented it.” But true to Garg’s style, the guilt quickly morphs into comedy complete with her mother-in-law’s classic passive-aggressive questioning and her own jab at Americanised desi kids.